Streetwear Studio with Coloured Smoke

A 9:16 vertical studio portrait of the person in the uploaded photograph, lit and composed as a contemporary streetwear or music-cover image. Think the visual register of A$AP Rocky's Testing-era photography, the Apple Music Today's Hits cover art, or the Concept Photo book aesthetic of high-end K-pop releases — colour-saturated, smoke-filled, deliberately constructed.

Identity is the foundation. Carry over from the uploaded photograph the face structure, eye shape and spacing, nose, lip shape, eyebrows, jawline, hairline, skin tone, and every visible mole, freckle, scar, or beauty mark. The face is allowed to be lit dramatically and surrounded by intense colour, but the face itself must read as the actual person — not as an idealised cover-model version of them. Render imperfections that are present in the upload; do not invent ones that aren't. Specifically: do not slim the face for "fashion proportions," do not sharpen the jawline, do not enlarge the eyes, do not airbrush the skin past what genuinely cinematic lighting would do.

Setting: a plain matte-black studio backdrop, fully featureless, with no visible texture, edges, or seams. The subject is standing about a metre off the backdrop so there's enough space behind them for smoke and atmospheric depth, but not so far that the backdrop becomes a wall. No floor visible, no horizon line, no environmental cues — the subject exists in pure black space.

Smoke — this is the second-most-important element after the face:
— Two distinct columns of theatrical smoke, one rising from behind the subject's left shoulder, the other curling in from the lower-right of the frame.
— The smoke is dense enough to have visible volume — it casts soft self-shadows, has clear bright and dark sides, is not uniform fog.
— The smoke is coloured by the lighting hitting it, not painted-in artificially: warm magenta-pink on the side facing the key light, deep teal-cyan on the side facing the rim light, with the centre of each smoke column reading slightly desaturated near-grey.
— Wisps and tendrils breaking off from the main columns, drifting through the middle of the frame at chest height. Some smoke crosses in front of the subject's torso (creating a soft veil over the lower garment) but the face must remain unobscured.
— The smoke has direction — it's drifting, not static. There is implied motion.

Lighting setup (two-light scheme, both gelled):
— Key light from camera-right at thirty degrees off-axis, slightly above eye line, gelled magenta-pink (think Rosco 339 Broadway Pink). The key paints the right side of the face and the right shoulder in warm saturated pink. It's a hard-ish light — moderately diffused but still directional, not a soft box.
— Rim light from camera-left at one hundred and twenty degrees (behind the subject), gelled teal-cyan (Rosco 4360 Calcolor 60 Cyan or similar). The rim catches the left edge of the face, the curve of the cheek into the jaw, the outline of the shoulder, and parts of the hair. It defines the silhouette against the black backdrop.
— No fill light from the front. The centre of the face sits between the two colours — the pink dominant on the right, the cyan dominant on the left, and a small wedge of natural skin tone reading through in the middle. This is the signature look of the genre.
— The lighting on the smoke is consistent with the lighting on the face — pink-lit smoke on the right, cyan-lit smoke on the left.

Wardrobe — oversized streetwear, choose ONE consistent look:
Option A (universal): an oversized black hoodie with the hood up, the hood lined inside with a contrasting colour visible at the edge (white, red, or cream). Heavy garment, real cotton fleece weight, not skinny athletic fit. Hands inside the front pouch or one hand visible at the sleeve cuff. No visible logos.
Option B (more fashion-leaning): an oversized cream cotton t-shirt one size too large, draped loose at the shoulders, a thin chain visible at the collar — could be a simple silver Cuban chain or a small pendant. Bare arms.
Option C (south Asian fusion): a structured black bandhgala-style jacket with mandarin collar, worn over a plain black t-shirt — modern streetwear with a subcontinental cut. One small lapel pin or a thin gold chain. This pairs especially well for Indian users wanting the streetwear look without losing cultural specificity.

Pose: the subject is facing the camera roughly straight on, with one shoulder slightly forward. The head is level — neither tilted up like a fashion model nor down like a moody portrait. Direct gaze into the lens, unblinking, the calm of someone who knows they're being photographed and isn't performing. Expression: read the upload. If their resting face is neutral, render neutral. If they have a slight warmth or smile at rest, keep it — but do not invent emotion. No pout. No smoulder. No fashion-model lip part. Just a person being looked at.

Hair: as in the upload, but lit by the rim — the cyan light catching the edges of individual strands, the magenta key warming the front. If the hair is long, it falls naturally; if short, the texture is visible.

Camera language: 85mm prime lens at f/2.0, shot on a full-frame digital body (Sony A7R IV or Canon EOS R5), ISO 400, 1/200 shutter, mild grain added in post for cinematic feel. Subject distance roughly 1.5 metres. Three-quarter framing — top of head with a finger's width of headroom, frame ending at the lower ribcage.

Skin treatment under the coloured lighting: pores should be visible despite the saturated colour — the magenta-pink should sit on top of the skin texture, not erase it. Eyelashes individually rendered. The subtle gradient where the warm key meets the cool rim across the cheek should preserve skin detail, not smooth it. The aesthetic is "real skin under cinematic lighting," not "perfect skin with colour overlay."

Aspect ratio 9:16, vertical. No text, no logos, no album title, no watermark, no border, no caption.