Street Style Editorial Portrait

Create one vertical 9:16 image: a street-style editorial photograph of the woman in the attached photo, in a black bomber over a ribbed tank against a pale concrete wall.

FACE MATCH - TOP PRIORITY: The attached photo is the identity source only. She is that exact woman, never a lookalike: same hairline, brows, eye shape and spacing, nose, lips, jawline, chin, cheek width and skin tone, every facial proportion, any mole or scar in its exact place. Never beautify, slim or smooth the face; any makeup is minimal and sits on her own features without reshaping them. Take nothing else from the photo - not its light, clothes, pose or background.

HAIR - HER OWN, WORN FREE: this is her own hair, never replaced. Keep her hairline shape and parting exactly as the photo, and her own hair colour, density, length and natural texture - straight stays straight, wavy stays wavy, curly stays curly. Worn loose and free with soft lift at the crown, falling over both shoulders and down the back, a light breeze moving a few ends, strands never covering the eyes. No added length or thickness, no extensions, no clips, no tie. The hair grows out of her head, takes the same light as her skin, and never reads as a wig.

FRAME: Three-quarter, hair to mid-thigh, filling the frame height; camera 3 metres away at chest height, 85mm lens.

BODY: One adult with two arms, two hands and two legs; each hand four fingers and a thumb, fingers lying naturally side by side; every limb unbroken, doing only what is described. Head in true scale to her shoulders, never enlarged.

SCENE: A pale concrete wall with one long arched shadow falling across it, a strip of grey pavement below.

WEARING: An oversized black nylon bomber jacket worn open and slipped slightly off the left shoulder, sleeves pushed to the forearm, over a fitted black ribbed sleeveless cotton tank tucked in; high-waisted charcoal washed straight-leg jeans; a slim black watch; small plain gold hoops; dark sunglasses pushed up and resting on top of her head, well above the hairline, both eyes fully visible.

POSE: Weight on the back leg, the front knee softly bent, hips angled about 20 degrees to camera-right, shoulders back and square to the lens; her right hand gripping the open edge of the bomber at chest height, four fingers inside the placket and the thumb outside; the left thumb hooked into the front belt loop of the jeans, fingers relaxed against the hip.

GAZE: Face near frontal, chin very slightly lowered, eyes straight into the lens. Cool and self-assured: lips closed, the faintest lift at one corner.

LIGHT: Key: hard late-morning sun from camera-left at about 40 degrees, lighting her head to mid-thigh and rimming the loose hair with a bright edge. Fill: the pale concrete wall and pavement bouncing back, one stop under the sun, so the eye sockets stay open. The wall's hot patch a step dimmer than her face. Her face is the brightest, sharpest thing in frame, a catchlight in each eye.

PHOTOGRAPH: A true photograph on a real camera: visible pores, individual hair strands and flyaways, real nylon shell and cotton rib; never retouched smooth. White balance neutral to the key, no cinematic grading.

TEXT: No text, logo or number anywhere; the jacket, jeans, wall and sunglasses are plain and unmarked.

FINAL CHECK: The face, hairline and hair are her own from the attached photo, lit by this key - if any of them differs, it is wrong. One intact adult body, limbs and hands exactly as described, head true to scale. Vertical 9:16, no text.