City Walk at Dusk

FACE MATCH FIRST: the exact man in the attached photo - same hairline, brows, eye shape and spacing, nose, lips, jaw width, skin tone, and his own facial hair exactly as the reference, never added, removed or reshaped. Never beautify or slim the face.

SCENE: a steel pipe railing along a city walkway at dusk, traffic and shop lights behind thrown into soft round bokeh.
WEARING: a chocolate-brown short-sleeve camp-collar shirt buttoned to the second button, black slim jeans, brown boots, lightly tinted glasses through which both eyes stay clearly visible.
POSE: full body. He leans back with both elbows hooked over the top rail behind him and the chest opened; both hands hang open and relaxed behind the rail with the fingers countable. The right knee crosses over the left with that toe on the ground, the weight on the left leg. Shoulders wide and dropped, chin turned a few degrees left. A slow half-smile.
GAZE: straight into the lens through the tinted lenses, both eyes readable behind them.
LIGHT: a warm shop sign at camera-left is the key on his face, orange and soft from the side; the last cold blue daylight from overhead is the fill that keeps the shadow side open, so the face carries two clearly different colour temperatures - warm on the near cheek, cool in the shadow. No reflection hides the eyes behind the lenses.
CAMERA: 50mm at f/2, camera at chest height, the street lights behind dissolving into large soft circles.

REAL: a photograph, not a render. Pores visible, stubble reading as individual hairs where it grows, a faint shine on the nose and forehead, fabric with a visible weave, real creases at the elbow and the knee, shoes scuffed where shoes scuff. Never airbrushed, waxy or plastic. No lettering anywhere, on clothing, walls or signs.

FINAL CHECK: the face is the reference face, exposed and coloured by the light named above.