Krishna Jayanti Festival Poster

FACE MATCH IS THE TOP PRIORITY. This is the exact man in the attached reference photo - not a lookalike. Copy the reference face feature by feature - hairline, hair, brows, eye shape and spacing, nose, lips, jawline, beard pattern and density, skin tone - every proportion identical, so anyone who knows him recognises him instantly; do not beautify, broaden or genericise. From the reference keep only the face and hair.

A loose watercolour festival poster on textured paper. DENSITY LAW: the poster is FULL edge to edge with festival props - dozens of items, never thousands - each an opaque, medium-scale, clearly recognisable object with true shadows, layered in depth, none crossing the subject's face; the subject's face stays the brightest, sharpest point of the design. Watercolour peacock feathers bloom across the upper corners in wet blues and greens, watercolour butter pots and a matki drip in warm ochres at the lower-left, a watercolour flute laid diagonally at the lower-right, lotus washes in pink, tulsi in leaf-green strokes, a watercolour cow and calf at the base, small diya shapes in gold wash with no real flame, spatter and bloom kept far from the face. CENTRE: his chest-up portrait painted in careful watercolour, hands out of frame below the crop - THE FACE in this design is his exact reference face - every feature and proportion identical, natural skin, eyes their real size with clear catchlights - rendered PHOTO-TRUE - the one element exempt from the poster's stylised finish - never simplified into a generic face. - photo-true features, the washes stopping at his outline - his face the one un-painted element, in a yellow kurta with a peacock-blue border and a jasmine garland, a small tilak well above his eyes; GAZE drifting off camera-left, face turned three-quarter the same way, both eyes visible with clear catchlights. THE TEXT: the text HAPPY KRISHNA JAYANTHI, spelled exactly H, A, P, P, Y, space, K, R, I, S, H, N, A, space, J, A, Y, A, N, T, H, I - every letter complete, correct and well inside the frame, never cropped - in deep-blue brush-lettered block capitals on two lines, across a clear band at the top of the paper, the feathers starting below that band, touching nothing, the only text anywhere in the image. Implied soft light from upper-right; the face the brightest, most resolved area. Vertical 4:5. Only this one real face.

LIGHT LAW: the face is lit only by this scene's own light - same direction, same colour temperature, same softness, with shadows falling exactly as the environment dictates - never a pasted studio face.

FINAL CHECK: the face must match the attached reference exactly - if any feature differs, it is wrong; and the text HAPPY KRISHNA JAYANTHI must read letter-perfect, the only text anywhere.