Playful Cap Flip Moment

The subject is the woman in the attached reference photo. Recreate her exact facial identity from its features — the same hairline, hairstyle, volume and texture, brow shape, eye shape and spacing, nose structure, lip shape, jawline and cheek structure, skin tone, and natural facial proportions — so she is unmistakably the same person. The reference photo's own lighting, background and clothing are entirely discarded; her face is lit only by this scene's own light.
THE BACKWARDS CAP FLIP. From high above against a wall painted in wide cream and powder-blue horizontal bands: she leans back on the wall, face up. The single hook: caught in the exact moment of spinning her corduroy cap backwards, one hand still on the brim at the back of her head, elbow high, grinning up mid-motion. Her other hand is loose at her side. She wears a white tee under an open camel corduroy overshirt matching the cap, straight-leg jeans, retro trainers. Soft daylight keys her upturned face and the striped wall reads gentler than her lit skin. Camera: 28mm lens from above, waist-up. Palette: cream, powder blue, camel, denim.
A true photograph, not an illustration or 3D render, carrying subtle fine film grain, true skin texture with visible pores, individual hair strands, realistic eye moisture with correct catchlights, real fabric weave with natural folds, accurate hands with natural fingernails and physically believable shadows. The high camera angle is optically honest: the face reads larger through perspective alone with features completely undistorted, the body foreshortening naturally and believably below, both eyes open and clear to the lens. Groomed and styled: clean hair with natural movement, wardrobe premium-casual and colour-coordinated, any watch wrapping fully around the wrist and any ring seated at the base of the finger. Any touch near the face is the lightest resting contact that never changes the features. Vertical 9:16 frame for an Instagram story, WhatsApp status and reel cover: the upturned face large in the upper half of the frame, the playful mood readable in one second at phone size, and the composition still holding when cropped square. No readable text anywhere — no words, no letters, no numbers, no logos, no brands.