Concrete Name Silhouette

Create one vertical 9:16 image: the woman in the attached photo beside a row of giant concrete letters that spell her name, at sunset.

The name to show is POOJA (capital letters, spelled exactly as written here, every letter present once and in order).

Identity first. She is the same person as in the attached photo: keep her facial structure, eyes, brows, nose, lips, jaw, skin tone, age and natural asymmetry. Her hair is open and the evening wind is lifting it. Take only who she is from that photo; its pose, clothes, expression and light do not carry over.

The picture. On a wide open terrace above a city, the name stands as a row of solid block letters cast in raw concrete, each taller than a person, like a city sign. The row is seen almost square-on, turned only slightly, and it fills the upper two-thirds of the frame from the left edge: the whole name reads left to right, every letter complete, separate and fully visible, with sky showing between the letters.

She stands in the foreground at the right edge of the frame, in front of the open space to the right of the last letter, so that no part of her or her hair overlaps any letter. Her hands are in her jacket pockets. She is looking back over her shoulder at the camera, three-quarters to the lens, eyes on it, a confident smile. Framed from the waist up, her face large in the right third of the frame. For a long name, make the letters narrower so the whole row still fits.

She wears a white fitted T-shirt under a black leather-look jacket, with charcoal cargo trousers and small silver hoops.

Light. The sun is low behind the letters and to one side: it rims every letter and her blowing hair in gold and throws long shadows toward the camera, while the bright sky in front fills her face warmly so every feature reads. The city below is hazy and soft.

A real photograph: real skin texture, rough concrete with seams and stains, a little grain. The concrete name is the only writing: no signs, numbers or logos anywhere.