Krishna Jayanti Celebration Diorama

FACE MATCH IS THE TOP PRIORITY. This is the exact woman in the attached reference photo - not a lookalike. Copy the reference face feature by feature - hairline, hair, brows, eye shape and spacing, nose, lips, jawline, cheek structure, skin tone - every proportion identical, so anyone who knows her recognises her instantly; do not beautify, slim or genericise. From the reference keep only the face and hair.

A layered paper-cut diorama poster, photographed for real - every layer a cut sheet of coloured card with true soft shadows between them. DENSITY LAW: the poster is FULL edge to edge with festival props - dozens of items, never thousands - each an opaque, medium-scale, clearly recognisable object with true shadows, layered in depth, none crossing the subject's face; the subject's face stays the brightest, sharpest point of the design. DEITY LAW: any divine figure in the artwork is painted and stylised - simplified serene features, blue-toned painted skin, tiny and far from the subject - never photoreal and never the subject's face; the subject's face is the only real face, the subject's skin its exact natural tone, never blue-tinted. BACK layers: cut-paper Brindavan - a deep-blue sky with a cut-paper moon, paper kadamba trees, a paper river in wavy blue strips. MIDDLE layer: she stands as a PHOTOGRAPHIC cut-out - THE FACE in this design is her exact reference face - every feature and proportion identical, natural skin, eyes their real size with clear catchlights - rendered PHOTO-TRUE - the one element exempt from the poster's stylised finish - never simplified into a generic face. - GAZE to the viewer, in a yellow traditional outfit with a paper garland, a paper flute held at chest height with a clear space below her lips, fingers countable. FRONT layers: cut-paper cows, paper butter pots, a paper matki on a string, paper lotus and tulsi shapes, a row of paper diya shapes with no real flame, peacock-feather cut-outs at the sides never crossing her face. THE TEXT: the text HAPPY KRISHNA JAYANTHI, spelled exactly H, A, P, P, Y, space, K, R, I, S, H, N, A, space, J, A, Y, A, N, T, H, I - every letter complete, correct and well inside the frame, never cropped - as thick cut-paper letters in saffron card, each letter its own layer casting a small shadow, on two lines, across the top band of the frame, above her head, on the front-most layer, touching nothing, the only text anywhere in the image. One soft light from upper-left casts every paper shadow the same way; her face the brightest, sharpest point.

Vertical 4:5. Only this one real face.

LIGHT LAW: the face is lit only by this scene's own light - same direction, same colour temperature, same softness, with shadows falling exactly as the environment dictates - never a pasted studio face.

FINAL CHECK: the face must match the attached reference exactly - if any feature differs, it is wrong; and the text HAPPY KRISHNA JAYANTHI must read letter-perfect, the only text anywhere.