Hilltop Portrait in Overcast Light

FACE MATCH FIRST: the exact woman in the attached photo - same hairline, brows, eye shape and spacing, nose, lips, jaw width, skin tone, and any nose pin, bindi or moles exactly as the reference, never added, removed or moved. Never beautify or slim the face, never lighten the skin, and add no makeup beyond what she wears in the photo.

HAIR: her own hair exactly as the reference - same colour, length, parting and texture - worn loose, a light hill breeze lifting a few ends behind her shoulders, no strand crossing the eyes or the sunglasses.
SCENE: a steel guard rail on a hill road, tea slopes falling away behind into soft green haze, bright overcast.
WEARING: a forest-green medium-weight cotton crew-neck tee in a regular, true-to-size fit - it follows the shoulders neatly but sits with a little ease through the body, the fabric falling straight from the chest to the waist instead of hugging it, short sleeves ending mid-upper-arm, the hem loosely tucked at the front. Black cargo trousers, white sneakers, thin wire-framed sunglasses with lightly tinted lenses through which both eyes stay clearly visible.
ACCESSORIES: minimal and delicate - small gold stud earrings, a very thin gold chain with a tiny round pendant sitting just below the collarbone, a slim gold watch with a tan leather strap on the left wrist, and one thin plain gold ring on the right hand. Nothing chunky, stacked or flashy.
POSE: full body, hips angled to the rail. Weight is on the straight right leg, the left knee soft with the toe turned slightly out. The right hand closes loosely around the top rail at hip height with the fingers countable; the left thumb hooks into the trouser pocket with the other four fingers outside and countable, the watch visible on that wrist. Shoulders open to the lens, chin turned a few degrees left. Mouth relaxed, a calm, barely-there smile.
GAZE: straight into the lens through the tinted lenses, both eyes readable behind them.
LIGHT: high bright overcast is the key, one enormous soft source from above; the pale road surface is the fill, bouncing up into the eye sockets so they never go dark under the brow. A faint reflection of the sky sits across the lenses without hiding the eyes.
CAMERA: 35mm at f/2.8, camera at chest height, the road receding behind her.

REAL: a photograph, not a render. Pores visible, fine baby hairs at the hairline and individual hair strands, a faint shine on the nose and forehead, fabric with a visible weave and real creases where the body bends. Never airbrushed, waxy or plastic. No lettering anywhere.

FINAL CHECK: the face is the reference face, exposed and coloured by the light named above.