Watercolour Work Table Scene

Create one vertical 3:4 image: a top-down photo of a work table where a watercolour of the woman in the attached photo is drying. The cream paper lies flat, its left edge pinned by a wooden ruler, and fills the frame from the top edge to a few centimetres above the bottom; a steel cup of chai, a palette with six tiny wells of red, teal, gold and green, and two brushes crowd the right margin. Warm late-afternoon light from the upper left skims across the table, so the brush shadows are long and the thick paper shows its grain. The painted figure stands full length on the sheet. Her exact facial anatomy, proportions, eye shape and spacing, nose, lips, jaw, cheeks, age, skin tone and any marks are carried into the watercolour so she is unmistakably herself; the paint is loose, the face is not. Hair in a low bun with a short jasmine string, small gold jhumkas, a thin chain. Head frontal, chin lowered a touch, eyes looking straight out of the paper at whoever is photographing it, warm closed-lip smile. One hand holds the pallu edge at her hip, the other arm hangs relaxed; two arms, two hands. The saree is a deep teal silk with a wide red-and-gold border; the blouse and the pallu over the shoulder are fully painted, but the pleats at the front are still a single wet teal wash with no detail, and the lower border and feet are faint pencil. A few spatters of pink and sage green sit around the hem as if flicked from the brush. No text, logo or watermark anywhere.