Nostalgic 1980s Summer Poster

FACE MATCH FIRST: the exact man in the attached photo - same hairline, brows, eyes, nose, lips, jaw, skin tone, same facial hair as the reference. Never beautify or reshape the face.

A nostalgic 1980s cinematic poster: a white-hot afternoon on a small-town road - a soda cart under a striped awning, crates of marble-stoppered bottles and ice under sacking beside it, the road dissolving without a seam into a shimmering gulmohar avenue in full red flower. NEAR, large in the foreground: at the soda cart: a thin cotton shirt with the sleeves rolled and two buttons open, khaki trousers; holding a marble-stoppered soda bottle low at chest height, well below his chin, fingers countable, the other hand on the cart edge. FAR, smaller and higher, out on the avenue beside a black roadster cycle: the same shirt, tail out; standing with the roadster, one hand on the handlebar, fingers countable, the other pocketed to the knuckles. HAIR on every figure: thick and side-parted, damp at the temples but swept clear of the forehead, the hairline exact. LIGHT: open shade under the cart awning with bounce off the pale road is the frontal key on every face, the sunlit road and the glass bottles far dimmer. GAZE: the near figure looks out into the scene, face three-quarter with both eyes visible; the far figure candid and absorbed, face frontal or three-quarter with both eyes visible. Vertical 9:16.

COMPOSITE: one continuous cinematic scene, NOT a page of separate photos, NOT an album or scrapbook layout - no panel borders, no frames, no grid, one blended world throughout. Torn-paper edges, film-strip sprockets and one small pinned polaroid of scenery sit at the poster's outer edge as decoration, never as frames around the figures. SAME-PERSON LAW: exactly two figures in the poster, both the same man from the reference and identical in face, never a lookalike. The near figure is large in the foreground, the far one smaller and higher in the mid-ground; they never overlap, never touch, never look at each other, and neither is a reflection or a shadow of the other.

PICTURE QUALITY: strictly 1980s capture, NEVER HD - soft period lens, no digital sharpening, no clarity, no HDR, no pore-level micro-detail, analog grain throughout, faded warm tones, film scratches, a light leak at one corner. ONE LIGHT: the source named in the scene governs the whole poster, near and far figures lit from the same side with the same colour and softness, every face keyed frontally and brightest with clear catchlights. Every face is 1980s-sharp, not digital-sharp: features readable, edges soft; grain, scratches, leak and paper never fall across a face, the background a step under the skin.

One text only: That One Summer handwritten in dark ink script in the open sky, spelled exactly T, h, a, t, space, O, n, e, space, S, u, m, m, e, r, clear of every face, touching nothing. No other lettering anywhere - polaroid, screens, signs, bottles and plates carry artwork or plain shapes only.

CHECK: both faces must match the reference exactly.