Golden Hour Terrace Portrait

Using the attached reference photo only as the identity key, render unmistakably the same woman — keep her exact hairline, the natural wave and texture of her hair, the same brow shape and weight, the same eye shape and set, the same straight nose line, the same lip shape, the same jawline and high cheekbones, and her exact warm skin tone, so she reads as the same person at a single glance; discard the reference photo's lighting, background and clothing entirely. Dress her in an open cream linen shirt unbuttoned one button low at the collar, sleeves softly rolled to mid-forearm, the loose slubby weave showing its fibre and gentle creases — tonal, understated, restrained to a single thin matte-gold chain barely catching at the open neck. Give her voluminous, softly styled hair with natural movement and a couple of loose flyaways, with a polished yet natural finish. Catch one candid micro-moment: her right hand slowly raking back through the front of her hair, fingers combing up and through and never across her face, her eyes softly lowered, her left hand resting loosely open at her own open collar — mouth and eyes always uncovered — wearing a warm, genuinely content half-smile that reads as easy, sensual charisma. Place her on a golden-hour terrace at the edge of sunlit greenery, a soft wash of warm green foliage bokeh and honey light-haze behind her as a gentle co-star tonally harmonised with the cream of her shirt. Commit to one light logic: the low golden-hour sun sits behind her to the right, laying a bright warm rim along the right edge of her hair and the tops of her shoulders, while the honest light on her face is that same low sun bouncing off the warm sandstone terrace floor and a sunlit stucco wall just out of frame to her front-left — a soft honey bounce that is the key, grazing her left cheekbone and jaw from low and letting a gentle natural shadow fall down the right side of her nose and under her right jaw; her skin drinks a honey-amber warmth from that bounce, the whole grade unified so the shadows carry the same warm temperature as the highlights, the exposure kept soft and never brighter than a low golden-hour reflection could make it, the highlights on the cheek unblown — this is the only light, and the reference photo's own lighting is fully discarded. Hold the palette to three tones only: honey gold, cream, and warm green haze. Shoot it face-dominant and intimate, a medium portrait on an 85mm-feel lens at a wide aperture so the greenery melts into creamy shallow-depth bokeh, in ultra-realistic 8K-level detail with true skin texture — visible pores, a few natural hair flyaways — and the linen readable by its weave; her head sized naturally against her shoulders, head and body in true natural proportion, exactly as a real camera would capture her. Make it a true photograph, not an illustration or a 3D render, with subtle natural film grain and honest imperfections. Frame it vertical 4:5 with the feet and floor never the focus, and include no text, words, logos or brands anywhere.