1980s Travel Poster Collage

FACE MATCH FIRST: the exact two people in the attached photo - copy each face feature for feature, his facial hair as the reference, never swapping or averaging the two.

A nostalgic 1980s travel-poster collage on warm sand-toned printed paper with a faint palm-and-surf wash behind the panels. TOP PANEL, candid on a wide beach at low sun, fishing boats and palms far behind: him in a chevron-striped shirt over a cream vest, her in an extra-large turquoise tee with an airbrushed sunset print and no lettering over rolled acid-wash jeans; walking the waterline side by side mid-laugh, a hand's width of air between them, outer arms swinging open and countable. LOWER PANEL, candid under a blue-washed Portuguese arcade with bougainvillea: him in a white half-sleeve shirt and khaki shorts, her in a printed kaftan-cut maxi with a tan belt; standing under the arcade mid-conversation, a hand's width of air between them, each with one hand flat on a pillar at shoulder height, fingers countable. HAIR in both panels: his full and curly, hers big permed curls, both salt-lifted and swept clear of the forehead, the hairline exact. CANDID: neither panel posed - both catch a real moment mid-happening, eyes off camera-left in the top panel and to the lens in the lower, faces three-quarter or frontal with both eyes visible. Warm low light keys the face brightest in each panel with clear catchlights; the paper, film strip and postcard layers sit a step under the skin. Vertical 9:16.

COLLAGE: a designed 1980s travel poster - two candid panels on printed-paper texture with torn deckled edges, a film-strip border of sprocket holes down one side, a vintage postcard and luggage label carrying artwork only, a soft warm light leak across one corner, fine film scratches. SAME-PEOPLE LAW: exactly four faces - the same two people twice, each matching its own reference face, never swapped or averaged; each pair fully inside its own panel, no face overlapping another. PICTURE QUALITY: strictly 1980s capture, NEVER HD - soft period-lens resolution, no digital sharpening, no clarity, no HDR, no pore-level micro-detail, analog grain throughout, faded warm tones, limited dynamic range. Each face is the sharpest thing in its own panel but 1980s-sharp, not digital-sharp: features exactly readable, edges soft. Grain, scratches, leak and paper texture never fall across a face.

One text only: Chasing Sunsets handwritten in dark ink script on clear paper, spelled exactly C, h, a, s, i, n, g, space, S, u, n, s, e, t, s, clear of every face, touching nothing. No other lettering anywhere - postcard, label, stamps and postmarks all carry artwork or plain shapes only.

CHECK: all four faces must match their own reference exactly.