Denim Fashion Editorial

Create one vertical 9:16 image: a denim-campaign fashion-editorial studio photograph of the woman in the attached photo, planted in barrel-leg jeans on a deep teal seamless, designed with the left column left empty for a headline added later.

FACE MATCH - TOP PRIORITY: The attached photo is the identity source only. She is that exact woman, instantly recognisable, never a lookalike: same hairline, hair colour and texture, brows, eye shape and spacing, nose, lips, jawline, chin, cheek width, skin tone, any mole, freckle, scar or dimple in its exact place, and every facial proportion. Never beautify, slim, smooth, age or restyle the face; any makeup sits on her own features without reshaping them. Take nothing else from the photo - not its light, expression, clothes, pose or background.

FRAME: Full length, hair to shoes and a strip of floor, her figure filling the frame height in the right 60 percent; camera 3 metres away at her waist height, lens level, 50mm lens. The left 40 percent is flat, even deep teal, bare of marks, gradient, shadow and objects, a step dimmer than her face.

BODY: One real adult with two arms, two hands, two legs and two feet; each hand with four fingers and a thumb, its fingers lying naturally side by side; every limb unbroken from shoulder or hip, doing only what is described, never merging into the jeans pocket. Adult proportion: head in true scale, shoulders about two and a half head-widths wide, a real neck, hands as long as the face, about seven and a half heads tall - never a big head on a small body.

SCENE: Deep Transformative Teal matte paper seamless, wall to floor, darker than all her clothes; a low solid rust-orange cube block at the far right edge, a clear gap from her far heel. Nothing else.

WEARING: A cropped long-sleeved coral workwear jacket in cotton twill, open over a tucked white ribbed tank; dark-rinse indigo high-rise barrel-leg jeans in heavy denim with a deep turn-up; tan leather pointed-toe mules. The only jewellery is gold hoops hanging below the earlobes, clear of the cheeks and jaw, and a thin gold cuff on her far right wrist. Her own hair, loose, falling behind the shoulders, clear of both eyes and brows.

POSE: Hips and shoulders turned together 20 degrees to camera-left, her left side nearer. Weight on her far right leg; both feet flat, the near left foot a half-step forward, legs straight to the ankles, both mules in frame on the floor. Her left hand, the near one, in the jeans front pocket to the knuckles, thumb outside, wrist visible; her right arm, the far one, relaxed at her side, hand against her mid-thigh.

GAZE: Face a step past the shoulders to a clear three-quarter, both eyes visible, never profile; eyes on the empty teal column at camera-left at her eye height, not at the camera. Anticipation, as if watching the headline being painted there: lips closed, corners lifted very slightly and evenly; lower lids softly raised.

LIGHT: Key: a large neutral-white octabox high at camera-left, lighting her head to shoes, its shadow falling to camera-right, away from the column. Fill: a white v-flat at camera-right, one stop under the key, keeping her skin its true tone. A thin warm rim traces her hair, shoulders and indigo legs against the teal; the white tank and gold a step dimmer than her face. Her face takes the key like the rest of her: the brightest, sharpest thing in frame, a catchlight in each eye.

PHOTOGRAPH: A true photograph on a real camera, not an illustration or 3D render: natural uneven skin tone, individual brow hairs, knuckle creases, real heavy indigo denim and cotton twill; never retouched smooth. White balance neutral to the key, the teal field rich, no cinematic grading.

GUARDS: Only this one person in the frame; the background holds no other figures, faces or reflections.

TEXT: No text, logo or watermark anywhere; the empty column, cube, mules, buttons and jeans patch are plain.

FINAL CHECK: The face is the exact woman in the attached photo, every feature matching, lit by this octabox - if any feature differs, it is wrong. One intact adult body, limbs and hands exactly as described, head true to scale. Vertical 9:16, no text.