Butter Yellow Fashion Editorial

Create one vertical 3:4 image: a fashion-editorial studio photograph of the woman in the attached photo, seated in an all-butter-yellow terry towelling set, dressed in tonal terry.

FACE MATCH - TOP PRIORITY: The attached photo is the identity source only. She is that exact woman, instantly recognisable, never a lookalike: same hairline and parting, hair colour and texture, brows, eye shape and spacing, nose, lips, jawline, chin, cheek width, skin tone, any mole, freckle, scar or dimple in its exact place, and every facial proportion. Never beautify, slim, smooth, age or restyle the face; any makeup sits on her own features without reshaping them. Take nothing else from the photo - not its light, expression, clothes, pose or background. Change only her own hair, into a sleek low bun; keep everything else.

FRAME: Hair to just below the knees, her figure filling the frame height; camera 3 metres away at her chest height, 85mm lens.

BODY: One real adult with two arms, two hands and two legs; each hand fully in frame with four fingers and a thumb, its fingers lying naturally side by side; every limb unbroken from shoulder or hip, doing only what is described, never merging into the seat. Adult proportion: head in true scale, shoulders about two and a half head-widths wide, a real neck, hands as long as the face - never a big head on a small body.

SCENE: A fashion set, never a bathroom or spa: walls, floor and a solid cylinder seat at knee height, all deep golden-butter terry towelling. Nothing else.

WEARING: Each garment two clear steps lighter than the terry walls and seat and a step apart from its neighbour: a pale butter terry cropped jacket, elbow-sleeved and buttoned, meeting the waistband, no midriff; high-waisted wide-leg trousers in light butter satin, never a robe. Her own hair in the bun, nothing on the head.

POSE: She sits on the front half of the cylinder, hips and shoulders turned together about 25 degrees to camera-right, knees together angled that way, both feet flat side by side. Her right hand rests on her right knee, the nearer one; her left hand, the far one, rests on top of it, fingers not interlaced, its back to the camera.

GAZE: Face at a clear three-quarter toward camera-right, eyes on the stylist just off-frame there, not at the camera. A natural smile at the stylist's praise: lips just parted, teeth at most just showing, jaw relaxed, eyes and mouth agreeing.

LIGHT: Key: a large neutral-white softbox, camera-left, above head height. Fill: a white card, camera-right, one stop under. Skin, eyes and hair keep true colour in shadow; the yellow stays on clothes and set. Soft light on the wall behind her head and shoulders, darker than the jacket, separates her. Jacket and satin sheen sit a step dimmer than her face. Her face takes the key like the rest of her: the brightest, sharpest thing in frame, a catchlight in each eye.

PHOTOGRAPH: A true photograph on a real camera, not an illustration or 3D render: natural uneven skin tone, individual brow hairs, knuckle creases, real terry pile and liquid satin, the pile never on her skin; never retouched smooth. White balance neutral to the key, the butter-yellow rich, no cinematic grading.

TEXT: No text, logo or watermark anywhere; the buttons are plain.

FINAL CHECK: The face is the exact woman in the attached photo, every feature matching, lit by this softbox - if any feature differs, it is wrong. One intact adult body, limbs and hands exactly as described, head true to scale. Vertical 3:4, no text.