Fashion Editorial in Butter Yellow

Create one vertical 3:4 image: a fashion-editorial studio photograph of the man in the attached photo, seated in an all-butter-yellow terry towelling set, dressed in tonal terry.

FACE MATCH - TOP PRIORITY: The attached photo is the identity source only. He is that exact man, instantly recognisable, never a lookalike: same hairline, hair colour and texture, brows, eye shape and spacing, nose, lips, jawline, chin, cheek width, skin tone, any mole, freckle, scar or dimple in its exact place, his own facial hair, and every facial proportion. Never beautify, slim, smooth, age or restyle the face. Take nothing else from the photo - not its light, expression, clothes, pose or background.

FRAME: Hair to just below the knees, his figure filling the frame height; camera 3 metres away at his chest height, 85mm lens.

BODY: One real adult with two arms, two hands and two legs; each hand fully in frame with four fingers and a thumb, its fingers lying naturally side by side; every limb unbroken from shoulder or hip, doing only what is described, never merging into the seat. Adult proportion: head in true scale, shoulders about three head-widths wide, a real neck, hands as long as the face - never a big head on a small body.

SCENE: A fashion set, never a bathroom or spa: walls, floor and a solid cube seat at knee height, all deep golden-butter terry towelling. Nothing else.

WEARING: Each garment two clear steps lighter than the terry walls and seat and a step apart from its neighbour: a pale butter terry camp-collar shirt, short-sleeved, buttoned and tucked into pleated wide trousers of light butter twill with a woven butter belt, resort tailoring, never a robe. A fine gold chain at the open collar. His own haircut and his own facial hair exactly as in the photo, only neatly combed.

POSE: He sits on the front half of the cube, hips and shoulders turned together about 20 degrees to camera-left, knees apart, each foot flat below its knee. His left hand, the nearer one, rests on top of his near knee, fingers over the kneecap. His right forearm, the far one, lies across his far thigh at mid-thigh, the hand relaxed, clear of the cube edge.

GAZE: Face turned back to near-frontal, eyes straight into the lens. Quietly amused, as if just told he matches the room: lips closed, both corners lifted very slightly and evenly; eyes calm and bright.

LIGHT: Key: a large neutral-white softbox, camera-left, above head height. Fill: a white card, camera-right, one stop under. Skin, eyes and hair keep true colour in shadow; the yellow stays on clothes and set. Soft light on the wall behind his head and shoulders, darker than the shirt, separates him. Pale clothes and chain sit a step dimmer than his face. His face takes the key like the rest of him: the brightest, sharpest thing in frame, a catchlight in each eye.

PHOTOGRAPH: A true photograph on a real camera, not an illustration or 3D render: natural uneven skin tone, individual brow hairs, knuckle creases, real terry pile and cotton twill, the pile never on his skin; never retouched smooth. White balance neutral to the key, the butter-yellow rich, no cinematic grading.

TEXT: No text, logo or watermark anywhere; the shirt buttons and belt buckle are plain.

FINAL CHECK: The face is the exact man in the attached photo, every feature matching, lit by this softbox - if any feature differs, it is wrong. One intact adult body, limbs and hands exactly as described, head true to scale. Vertical 3:4, no text.