Burgundy Fashion Editorial Portrait

Create one vertical 3:4 image: a fashion-editorial studio photograph of the woman in the attached photo in tonal burgundy, seated in a pistachio velvet armchair.

FACE MATCH - TOP PRIORITY: The attached photo is the identity source only. She is that exact woman, instantly recognisable, never a lookalike: same hairline and parting, hair colour and texture, brows, eye shape and spacing, nose, lips, jawline, chin, cheek width, skin tone, any mole, freckle, scar or dimple in its exact place, and every facial proportion. Never beautify, slim, smooth, age or restyle the face; any makeup sits on her own features without reshaping them. Take nothing else from the photo - not its light, expression, clothes, pose or background. Change only her hair, into a sleek low ponytail; keep everything else.

FRAME: Seated, hair to just below the knees, her figure filling the frame height; camera 3 metres away at her chest height, 85mm lens.

BODY: One real adult with two arms, two hands and two legs, the body continuing naturally below the frame; each hand fully in frame, with four fingers and a thumb, its fingers lying naturally side by side; every limb unbroken from shoulder or hip, doing only what is described, never merging into the armchair. Adult proportion: head in true scale, shoulders about two and a half head-widths wide, a real neck, hands as long as the face - never a big head on a small body.

SCENE: Near-black oxblood seamless paper. The seat: a pistachio velvet armchair, one solid skirted block, a clear value step lighter than her suit. Nothing else.

WEARING: Every garment at least two clear steps lighter than the paper: a mid wine-burgundy wool-crepe blazer, buttoned, sharp-shouldered, long-sleeved, over a sleeveless silk-satin camisole a step lighter; matching wide trousers. The only jewellery is gold drop earrings below the earlobes, clear of the cheeks and jaw. Her own hair, tucked behind the ears.

POSE: She sits upright on the front half of the armchair, hips and shoulders turned together about 20 degrees to camera-left, knees together angled to camera-left, feet flat side by side. Each forearm lies along an armrest, the hand resting over its front end, back of the hand to the camera: her left nearer the lens, her right the far one.

GAZE: Her face turns to a three-quarter, eyes on the photographer's monitor at camera-left, not at the camera. Assured, as if she just saw the shot she wanted: lips closed, both corners lifted slightly and evenly, eyes steady.

LIGHT: Key: a large neutral-white softbox high at camera-right. Fill: a white V-flat at camera-left, two stops under. Her skin, eyes and hair keep their true colour even in shadow; a thin warm rim edges her hair, shoulders and blazer against the oxblood. Her face takes the key like the rest of her: the brightest, sharpest thing in frame, the armchair, satin, hair sheen and gold a step dimmer, a catchlight in each eye.

PHOTOGRAPH: A true photograph on a real camera, not an illustration or 3D render: natural uneven skin tone, individual brow hairs, knuckle creases, real wool crepe and silk satin; never retouched smooth. White balance neutral to the key, the burgundy rich, no cinematic grading.

TEXT: No text, logo or watermark anywhere; the camisole and buttons are plain.

FINAL CHECK: The face is the exact woman in the attached photo, every feature matching, lit by this softbox key - if any feature differs, it is wrong. One intact adult body, limbs and hands exactly as described, head true to scale. Vertical 3:4, no text.