Pistachio Velvet Fashion Portrait

Create one vertical 3:4 image: a fashion-editorial studio photograph of the man in the attached photo in tonal pistachio, seated in a burgundy velvet armchair.

FACE MATCH - TOP PRIORITY: The attached photo is the identity source only. He is that exact man, instantly recognisable, never a lookalike: same hairline, hair colour and texture, brows, eye shape and spacing, nose, lips, jawline, chin, cheek width, skin tone, any mole, freckle, scar or dimple in its exact place, his own facial hair, and every facial proportion. Never beautify, slim, smooth, age or restyle the face. Take nothing else from the photo - not its light, expression, clothes, pose or background.

FRAME: Seated, hair to just below the knees, his figure filling the frame height; camera 3 metres away at his chest height, 85mm lens.

BODY: One real adult with two arms, two hands and two legs, the body continuing naturally below the frame; each hand fully in frame, with four fingers and a thumb, its fingers lying naturally side by side; every limb unbroken from shoulder or hip, doing only what is described, never merging into the armchair. Adult proportion: head in true scale, shoulders about three head-widths wide, a real neck, hands as long as the face - never a big head on a small body.

SCENE: Deep pistachio seamless paper. The seat: a burgundy crushed-velvet armchair, one solid skirted block, a clear value step darker than his suit. Nothing else.

WEARING: Each garment at least two clear steps lighter than the paper: a pale pistachio linen-wool double-breasted suit, peak lapels, jacket buttoned, long sleeves, pleated trousers; under it a short-sleeved cotton knit polo a step deeper, placket open. A gold chain bracelet on his right wrist. His own haircut and his own facial hair exactly as in the photo, only neatly combed.

POSE: He sits on the front half of the armchair, hips and shoulders turned together about 25 degrees to camera-left, knees apart, each foot flat below its knee. His left forearm, nearer the lens, lies along the near armrest, the hand resting over its front end, back of the hand to the camera; his right hand, the far one, rests flat on the middle of his right thigh, clear of the seat edge.

GAZE: His face turns back toward the lens to a slight three-quarter, eyes straight into it. Calm certainty, as if the meeting just went his way: lips closed, both corners lifted very slightly and evenly, eyes level.

LIGHT: Key: a large neutral-white softbox high at camera-right. Fill: a white V-flat at camera-left, two stops under. His skin, eyes and hair keep their true colour even in shadow; a soft oval one step lighter than the paper, darker than the jacket, sits behind his head and shoulders. His face takes the key like the rest of him: the brightest, sharpest thing in frame, the suit and bracelet a step dimmer, a catchlight in each eye.

PHOTOGRAPH: A true photograph on a real camera, not an illustration or 3D render: natural uneven skin tone, individual brow hairs, knuckle creases, real linen-wool slub and cotton knit; never retouched smooth. White balance neutral to the key, the pistachio rich, no cinematic grading.

TEXT: No text, logo or watermark anywhere; the polo placket and buttons are plain.

FINAL CHECK: The face is the exact man in the attached photo, every feature matching, lit by this softbox key - if any feature differs, it is wrong. One intact adult body, limbs and hands exactly as described, head true to scale. Vertical 3:4, no text.