Nighttime Street Style Editorial

Create one vertical 9:16 image: a slow-sync flash street-style editorial photograph of the woman in the attached photo, flash-sharp on a night roundabout island, traffic arcing behind her.

FACE MATCH - TOP PRIORITY: The attached photo is the identity source only. She is that exact woman, instantly recognisable, never a lookalike: same hairline and parting, hair colour and texture, brows, eye shape and spacing, nose, lips, jawline, chin, cheek width, skin tone, any mole, freckle, scar or dimple in its exact place, and every facial proportion. Never beautify, slim, smooth, age or restyle the face; any makeup sits on her own features without reshaping them. Take nothing else from the photo - not its light, expression, clothes, pose or background.

FRAME: Hair to just above the knees, her figure filling the frame height; camera about 3 metres away at her chest height, 85mm lens.

BODY: One real adult with two arms and two hands, the body continuing naturally below the frame; each hand fully in frame or fully out of frame below the crop, each visible hand with four fingers and a thumb, its fingers lying naturally side by side; every limb unbroken from the shoulder, doing only what is described. Adult proportion: head in true scale, shoulders about two and a half head-widths wide, a real neck, hands as long as the face - never a big head on a small body.

SCENE: Behind her on the roundabout, the circling traffic is only long curved red and white light arcs. Nothing else.

WEARING: An open butter-yellow cropped leather moto jacket, long sleeves; a cocoa fine-rib top, long-sleeved, tucked into cream wide-leg wool trousers. The only jewellery: medium gold hoops below the earlobes, clear of the cheeks and jaw. Her own hair, loose at its own length, behind the shoulders, clear of both eyes and brows. Makeup: a fine brown lash line, a warm nude lip.

POSE: Weight even, hips and shoulders turned about 20 degrees to camera-left. Her left hand, the nearer one, rests on her hip, back of the hand to the camera, elbow out with air inside the arm. Her right hand, the far one, hangs relaxed beside her thigh.

GAZE: Face a step further to camera-left, three-quarter at most, both eyes visible: eyes on the traffic curving in at camera-left, not at the camera. Bright expectancy, as if her ride just swung in: lips closed, both corners lifted very slightly and evenly; eyes bright.

LIGHT: Key: an on-camera flash above the lens, hard neutral white. Fill: a white card, one stop under the flash, keeping her skin its true tone. The high-mast lamp above the frame rims her hair, thin and warm. The arcs stay behind her hips, never crossing the face; arcs, jacket, trousers and hoops a step dimmer than her face. Her face takes the flash like the rest of her: the brightest, sharpest thing in frame, a catchlight in each eye.

PHOTOGRAPH: A true photograph on a real camera, not an illustration or 3D render: natural uneven skin tone, individual brow hairs, knuckle creases, real leather grain and fine knit rib; never retouched smooth. White balance neutral to the flash, no cinematic grading.

GUARDS: Only this one person; no other figures, faces, cars or reflections.

TEXT: No text, logo or watermark anywhere; no road signs, number plates or date stamp.

FINAL CHECK: The face is the exact woman in the attached photo, every feature matching, lit by this flash - if any feature differs, it is wrong. One intact adult body, limbs and hands exactly as described, head true to scale. Vertical 9:16, no text.