Street Style Night Portrait

Create one vertical 9:16 image: a slow-sync flash street-style editorial photograph of the man in the attached photo, flash-sharp on a night roundabout island, traffic arcing behind him.

FACE MATCH - TOP PRIORITY: The attached photo is the identity source only. He is that exact man, instantly recognisable, never a lookalike: same hairline, hair colour and texture, brows, eye shape and spacing, nose, lips, jawline, chin, cheek width, skin tone, any mole, freckle, scar or dimple in its exact place, his own facial hair, and every facial proportion. Never beautify, slim, smooth, age or restyle the face. Take nothing else from the photo - not its light, expression, clothes, pose or background.

FRAME: Hair to just above the knees, his figure filling the frame height; camera about 3 metres away at his chest height, 85mm lens.

BODY: One real adult with two arms and two hands, the body continuing naturally below the frame; each hand fully in frame or fully out of frame below the crop, each visible hand with four fingers and a thumb, its fingers lying naturally side by side; every limb unbroken from the shoulder, doing only what is described, never merging into the helmet. Adult proportion: head in true scale, shoulders about three head-widths wide, a real neck, hands as long as the face - never a big head on a small body.

SCENE: Behind him on the roundabout, the circling traffic is only long curved red and white light arcs. Prop: a plain matte cream open-face helmet with a cocoa leather rim, no visor. Nothing else.

WEARING: An open cocoa suede bomber, long sleeves; a cream heavy-rib knit, long-sleeved, tucked into ecru pleated wool trousers with a dark-brown leather belt; a flat gold chain at the collarbones. No headwear; hairline fully visible. His own haircut and his own facial hair exactly as in the photo, only neatly combed.

POSE: Weight on his back leg, hips and shoulders turned about 20 degrees to camera-right. His right hand, the nearer one, is wrapped round the helmet's rim, fingers curled over it, holding it low beside his right hip. His left hand, the far one, hangs relaxed beside his thigh.

GAZE: Face turned back to the lens, eyes straight into it. Easy confidence, as if a friend just cheered his arrival: lips closed, both corners lifted very slightly and evenly; eyes relaxed.

LIGHT: Key: an on-camera flash above the lens, hard neutral white. Fill: a white card, one stop under the flash, keeping his skin its true tone. The high-mast lamp above the frame rims his hair, thin and warm. The arcs stay behind his hips, never crossing the face; arcs, cream clothes, helmet and chain a step dimmer than his face. His face takes the flash like the rest of him: the brightest, sharpest thing in frame, a catchlight in each eye.

PHOTOGRAPH: A true photograph on a real camera, not an illustration or 3D render: natural uneven skin tone, individual brow hairs, knuckle creases, real suede nap and heavy knit rib; never retouched smooth. White balance neutral to the flash, no cinematic grading.

GUARDS: Only this one person; no other figures, faces, cars or reflections.

TEXT: No text, logo or watermark anywhere; the helmet and buckle are plain; no road signs, number plates or date stamp.

FINAL CHECK: The face is the exact man in the attached photo, every feature matching, lit by this flash - if any feature differs, it is wrong. One intact adult body, limbs and hands exactly as described, head true to scale. Vertical 9:16, no text.