Fashion Editorial Studio Portrait

Create one vertical 3:4 image: a fashion-editorial studio photograph of the woman in the attached photo, perched front-on on a single-column stool against cognac seamless, in midnight navy and stone beige.

FACE MATCH - TOP PRIORITY: The attached photo is the identity source only. She is that exact woman, instantly recognisable, never a lookalike: same hairline, hair colour and texture, brows, eye shape and spacing, nose, lips, jawline, chin, cheek width, skin tone, any mole, freckle, scar, dimple or nose piercing in its exact place, and every facial proportion. Never beautify, slim, smooth, age or restyle the face; no heavy makeup, no lip or eye reshaping. Take nothing else from the photo - not its light, expression, clothes, pose or background.

FRAME: Seated, hair to just below the knees, her figure filling the frame height; camera 3 metres away at her chest height, 85mm lens.

BODY: One real adult with two arms, two hands and two legs, the body continuing naturally below the frame; each hand fully in frame or fully out of frame below the crop, each visible hand with four fingers and a thumb, its fingers lying naturally side by side; every limb unbroken from shoulder or hip, doing only what is described, never merging into the seat. Adult proportion: head in true scale, shoulders about two and a half head-widths wide, a real neck, hands as long as the face - never a big head on a small body.

SCENE: Deep cognac-brown seamless paper; a solid single-column stool at hip height with a round matte-black seat. Nothing else.

WEARING: A midnight-navy fine merino long-sleeved quarter-zip pullover, slightly fitted, zipped to the collarbone, plain zip pull; stone-beige pleated high-waisted wide wool-twill trousers, sharply creased; small brushed-gold hoop earrings and one thin brushed-gold chain bracelet on her left wrist. Her own hair length, parting and texture exactly as in the photo, neatly styled and falling naturally behind her shoulders. Natural, minimal makeup that keeps her true skin tone and features.

POSE: She sits on the front half of the seat, hips and shoulders square to the lens, spine upright; knees together and angled very slightly to camera-right, feet out of frame. Her arms relax down, elbows softly bent, her left hand resting on top of her right on her knees, fingers not interlaced, back of the top hand to the camera.

GAZE: Face turned about 20 degrees to camera-left; eyes on the photographer's assistant just out of frame beside the octabox at camera-left, not at the camera or into the light. Quietly confident, as if she just heard good news: lips closed, both corners lifted very slightly and evenly; eyes calm.

LIGHT: Key: a large warm-white octabox high at camera-left. Fill: a white bounce low at camera-right, one stop under the key, keeping her skin its true tone. A thin warm rim edges her hair and shoulders against the paper; the trousers and jewellery a step dimmer than her face. Her face takes the key like the rest of her: the brightest, sharpest thing in frame, a catchlight in each eye.

PHOTOGRAPH: A true photograph on a real camera, not an illustration or 3D render: natural uneven skin tone, visible skin texture, individual brow hairs and flyaway hair strands, knuckle creases, real merino knit and wool twill; never retouched smooth. White balance neutral to the key, the cognac rich, no cinematic grading.

TEXT: No text, logo or watermark anywhere; the pullover's chest and zip pull are plain.

FINAL CHECK: The face is the exact woman in the attached photo, every feature matching, lit by this octabox - if any feature differs, it is wrong. One intact adult body, limbs and hands exactly as described, head true to scale. Vertical 3:4, no text.