Dawn Rooftop Serenity

Use the attached reference photo strictly as the identity source: the same woman, unmistakably her, with her exact hairline and hair texture, her brow shape, the shape of her eyes (here softly closed, her natural lid shape and lash line kept), her nose line, her lips, her jawline, her cheekbone structure and her skin tone — every feature translated faithfully into the drawn medium as a caricature-free true likeness; the reference photo's lighting, background and clothing are completely discarded. Illustrate her as a 1980s Japanese city-pop album-cover artwork: the figure in soft semi-realistic airbrush-and-cel shading with warm gradient tones, set against a completely flat paper-cut graphic background of crisp-edged horizontal bands, finished with subtle risograph print grain and a matte poster texture. Scene: a quiet rooftop at dawn — waist-up, she leans the small of her back against a deep-teal concrete parapet, both hands resting easy in her trouser pockets, elbows relaxed, chin tipped up a few degrees. Her one expression: serene eyes-closed poise — lids gently closed, a calm contented near-smile, a woman completely at ease with her morning. Signature micro-moment: a soft dawn breeze lifts two or three strands of her hair, drawn as fine calligraphic flyaway lines against the sky. Behind her the background stacks in perfectly flat horizontal bands — pale-apricot dawn sky at the top, two simple cream paper-cut cloud shapes, a row of flat deep-teal city-skyline silhouettes, and a thin seafoam-mint sea band glinting at the horizon behind the rooftops; one large pale cream sun disc hangs low at frame right, offset beside her head, its lower edge just touching the skyline band. Composition device: hard-horizon banding — every background edge a strict horizontal, her figure the only organic shape breaking the lines, placed just left of center in a vertical 4:5 frame that reads instantly at thumbnail size. Styling system: a soft seafoam-mint knitted polo with a ribbed open collar and relaxed drape drawn in simple fold lines, warm sand pleated trousers, a slim watch on a thin leather strap at her left wrist — tonal pastel harmony, nothing louder than the palette. Light story, honest to the scene: the low cream sun sits behind her at frame right, so it can only rim — a warm apricot edge-light tracing the right side of her jaw, her right cheekbone and the top of her right shoulder; what actually lights her face is the wide pale-apricot dawn sky in front of her, a soft frontal skylight fill that gently brightens the sun-side of her face while the left side falls into a soft cool sand-toned shadow shape with one clean cel-shadow under the jaw; her skin picks up a gentle peach cast from the dawn, and the whole figure is exposed no brighter than soft dawn skylight could make it, the shading built from soft airbrush gradients and two or three flat shadow shapes. Strict five-color palette: pale apricot, cream, seafoam mint, deep teal, warm sand — her skin and hair shaded in warm tones harmonized into the same family. Her head sized naturally against her shoulders, head and body in true natural proportion, a real figure drawn faithfully and never exaggerated. Zero text anywhere, no logos, no brands — instant-nostalgia, wallpaper-grade city-pop cover energy.