Street Style Editorial

Create one vertical 9:16 image: a street-style editorial photograph of the man in the attached photo, in a black bomber over a ribbed tank against a pale concrete wall.

FACE MATCH - TOP PRIORITY: The attached photo is the identity source only. He is that exact man, never a lookalike: same hairline, brows, eye shape and spacing, nose, lips, jawline, chin, cheek width and skin tone, every facial proportion, any mole or scar in its exact place. Never beautify, slim or smooth the face. Take nothing else from the photo - not its light, clothes, pose or background.

HAIR AND BEARD - HIS OWN, RESTYLED: this is his own hair restyled, never replaced. Keep his hairline shape and temple recession exactly as the photo, and his own hair colour, density and natural texture - straight stays straight, wavy stays wavy, curly stays curly. The styling only lifts the top into a short textured quiff with a sharp taper at the sides and a clean neckline; no added thickness, no lower or straighter hairline, no transplanted haircut. His beard stays his own growth pattern and density, merely edged clean along the cheek and jaw line - never drawn in where he does not grow it, never darker or fuller. Hair and beard grow out of his head and face, take the same light as his skin, and never read as pasted on.

FRAME: Three-quarter, hair to mid-thigh, filling the frame height; camera 3 metres away at chest height, 85mm lens.

BODY: One adult with two arms, two hands and two legs; each hand four fingers and a thumb, fingers lying naturally side by side; every limb unbroken, doing only what is described. Head in true scale to his shoulders, never enlarged.

SCENE: A pale concrete wall with one long arched shadow falling across it, a strip of grey pavement below.

WEARING: A black nylon bomber jacket worn open with the sleeves pushed to the forearm, over a black ribbed sleeveless cotton tank; charcoal washed jeans; a black watch; dark sunglasses pushed up and resting on top of his head, well above the hairline, both eyes fully visible.

POSE: Weight even, feet hip-width; his right hand gripping the open edge of the bomber at chest height, four fingers inside the placket and the thumb outside; the left arm hanging relaxed with the hand open.

GAZE: Face near frontal, chin level, eyes straight into the lens. Cool and unhurried: lips closed, both corners level.

LIGHT: Key: hard late-morning sun from camera-left at about 40 degrees, lighting him head to mid-thigh. Fill: the pale concrete wall and pavement bouncing back, one stop under the sun, so the eye sockets stay open. The wall's hot patch a step dimmer than his face. His face takes the key like the rest of him: the brightest, sharpest thing in frame, a catchlight in each eye.

PHOTOGRAPH: A true photograph on a real camera: visible pores, individual hair strands, real nylon shell and cotton rib; never retouched smooth. White balance neutral to the key, no cinematic grading.

TEXT: No text, logo or number anywhere; the jacket, jeans, wall and sunglasses are plain and unmarked.

FINAL CHECK: The face, hairline and beard are his own from the attached photo, lit by this key - if any of them differs, it is wrong. One intact adult body, limbs and hands exactly as described, head true to scale. Vertical 9:16, no text.