Pop Art Portrait in Four Quadrants

Unmistakably the same woman from the attached reference photo, her exact features translated faithfully INTO this art style and still clearly recognizable as her: the same hairline and hair length, the same brow shape, the same eye shape and spacing, the same nose line, the same lip shape, the same jawline, the same skin tone — all present in the style's own visual language, the way a great caricature keeps a likeness. The reference photo's lighting, background and clothing are discarded and replaced by everything described here.

THE MEDIUM: 1960s POP ART style — bold Ben-Day dot shading, thick black outlines, flat primary panels, screen-print offsets, gallery-loud colour.

THE SCENE: a single canvas divided into four flat colour quadrants — lemon, cherry, sky, mint — her portrait crossing all four with a confident wink and a hand lifting cat-eye sunglasses; radiating background rays and one abstract starburst, all graphic shapes with no lettering.

THE DETAIL: Ben-Day dots grading her cheek and the shadowed quadrant, her true features held inside the thick outline — the same brow arch and lip shape in print form; deliberate slight mis-registration where cherry meets its outline; the sunglasses' lenses in flat mirrored teal.

This image is fully and committedly an artwork in the named style — never a photograph, with no photographic skin texture anywhere; the style's own rendering rules govern every surface. Vertical 4:5 frame. No readable text anywhere — no words, no logos, no brands.