Bali Cliff, Travel Couple, Matching Yellow

A single 4:5 vertical photograph of a couple at a tropical cliff destination — could be Bali's Atuh Beach / Diamond Beach (the famous cliffs of Nusa Penida), or similar iconic cliff-edge tropical location (Goa's Vagator Cliff, Mahabalipuram's coastline, or the Amalfi cliffs). The visual register is contemporary travel-couple Instagram. Time: late morning around 10:30 a.m. (the bright tropical-sun hour).

There are TWO uploaded photographs — Partner A (female) and Partner B (male).

LOCK Partner A: full face checklist as previous prompts.
LOCK Partner B: full face checklist + hairline + facial hair preservation.

ANTI-BLEND CLAUSE: each partner's face exclusively from their own upload. No blending.

LOCK IDENTITY, RE-LIGHT THE REST (both partners): lock each partner's identity — bone structure, features and their spacing, permanent marks, and true relative complexion (never lightened). Do NOT lock either upload's lighting or absolute skin tone — both faces are RE-LIT by THIS scene.

FACE-BODY INTEGRATION & REALISM (mandatory — applies to BOTH partners):

1. ONE CONTINUOUS PHOTOGRAPH, NOT A FACE-GRAFT. For each partner, the head, neck, and body are one person in a single exposure — no visible seam, edge, halo, or pasted-on boundary at the jaw, chin, hairline, or neck; the face is not sharper or brighter than the body. Both partners belong to the SAME photograph — one light, one grain, one grade — not two cut-outs placed side by side.

2. SKIN-TONE CONTINUITY (no two-tone problem). For each partner, the complexion of face, ears, neck, shoulders, and hands is ONE consistent skin tone — their true complexion everywhere, never lightened, with no tonal step at the jawline or neckline. Each partner keeps their OWN complexion; the two are not averaged toward each other.

3. SCENE-MATCHED LIGHTING. Both faces are RE-LIT by THIS scene — the same key-light direction, colour temperature, intensity, and shadow pattern fall on both partners' faces AND bodies, consistent with where each one stands. Catchlights and skin highlights match the environment for both.

4. CORRECT HEAD-TO-BODY PROPORTION. Each head is anatomically sized to its own body (about one-seventh to one-eighth of standing height). Do NOT enlarge either head. The two partners are in correct relative scale to each other (natural height/build difference from the uploads).

5. HEAD POSE FOLLOWS THE BODY. Each head sits naturally on its neck, consistent with that partner's posture and the camera angle — no front-facing face on a turned body. Where the partners touch (cheek-to-cheek, leaning, an arm around a shoulder), the contact is physically real and correctly occluded.

6. NATURAL NECK & HAIRLINE TRANSITION. For each partner, jaw flows into neck, neck into shoulders, hairline into scalp — soft natural anatomy, real shadow under the chin, no abrupt mask-edge.

REPLACE from both uploads: any jewelry — replaced with the travel-couple appropriate accessories below.

Wardrobe — matching yellow tropical:
The classic travel-couple coordination — same colour family, different garments. Pick ONE colour:

Yellow palette (most iconic — matches the reference):
- Partner A: a yellow sundress (canary-yellow, butter-yellow, or saffron) — knee-length or mid-thigh, with thin shoulder straps OR short sleeves. Real cotton or linen, with the slight wrinkles of travel-wear.
- Partner B: a yellow short-sleeve cotton or linen shirt — the same yellow as Partner A's dress, or a slightly different shade in the same family.

Alternative palettes:
- White-and-cream: both partners in white/cream linen.
- Pale-pink: both in soft pink coordinated outfits.
- Deep-orange: both in saturated orange (the bolder travel look).

The coordination signal: same colour family, suggesting the couple has deliberately matched.

Accessories:
- Partner A: a wide-brimmed straw sun hat (held in one hand OR worn). Subtle gold studs in the ears.
- Partner B: sunglasses (aviators or wayfarers) pushed up on the head OR worn on the face. A simple wristwatch.
- Both: matching or coordinated small leather sandals (implied below frame).
- The held hands are clearly visible — their wedding/engagement rings if applicable.

Hair styling:
- Partner A: long hair flowing in the sea breeze, slightly wind-tousled.
- Partner B: natural hair, slightly tousled by the wind. Natural hairline preserved.

Pose and composition — travel cliff:
The composition can be ONE of TWO formats (the genre allows both):

Format A — single image (side-by-side at the cliff edge):
Both partners standing at the cliff edge looking outward at the ocean (away from the camera, OR turned slightly back). The hand-holding is the central element — both partners' clasped hands visible in the foreground. Partner B is on the left, Partner A on the right (the conventional travel-couple composition). Heads turned partly back to the camera with soft warm expressions.

Format B — split/diptych composition:
The image is split horizontally:
- TOP HALF: Partner B alone at the cliff edge — body turned outward (mostly facing the view) with the held hands extending into the frame from off-camera (Partner A's hand visible). His hand is connected to her hand (she's off-frame).
- BOTTOM HALF: Partner A alone at the cliff edge — same composition but mirrored. She's looking at the camera with a warm smile, his hand visible holding hers (he's off-frame in this half).
- A small horizontal gutter between the two halves.

Default to Format A (single image side-by-side) unless the user wants the diptych.

Setting — tropical cliff:
The environmental anchors:
- A dramatic cliff edge with the ocean visible far below.
- The ocean: deep turquoise-blue with white-foam waves visible breaking on rocks at the cliff base.
- The cliff edge: rocky outcrop with sparse coastal vegetation (small palms, dry grass).
- Distant view: more rocky cliffs receding into the deep distance, the dramatic landscape.
- The sky: bright tropical blue with high white clouds.
- The vegetation: native coastal plants — palms, frangipani, low scrub.
- Possibly a small distant beach visible at the base of the cliffs (if the geography supports).

Atmospheric details:
- Sea spray rising from the cliff base — visible mist in the air.
- The slight visible wind moving the hair, the dress, the shirt.
- Bright tropical sun catching all surfaces.

Light — bright tropical late-morning:
- Primary key: bright direct sun from above-side at around 5500K — bright, hard, slightly diffused by the tropical atmosphere.
- The light catches both partners — flattering on both, with the slight tropical-bright quality.
- A secondary contribution from the bright sky overhead — providing soft cool fill from above.
- The deep turquoise water reflects light upward — providing subtle cool bounce.
- Catchlights in all four eyes — bright from the open tropical sky.

The light has the *Bali travel-couple bright* quality — clear, warm, vibrant.

Camera language: a 35mm prime at f/4 (deep focus for the landscape behind), full-frame digital, processed for warm saturated tropical-travel colour science. ISO 200.

Three-quarter or full-length framing — including substantial portion of the dramatic cliff landscape.

Slight handheld feel — the natural travel-photo composition.

Colour treatment: vibrant tropical-Bali palette — saturated yellow wardrobe against deep turquoise ocean against bright sky. Skin tones true to both uploads, naturally warmed by the tropical sun. The image has the *travel-couple-vibrant* tonal register.

Skin handling: pores visible on both faces. The natural slight sun-flush on both. Eyes alive with the bright sky. Wind-tousled hair on both. Facial hair (Partner B) preserved.

Aspect ratio 4:5 vertical. No text, no caption, no border, no watermark.