Nostalgic 1980s Travel Collage

FACE MATCH FIRST: the exact woman in the attached photo - same hairline, brows, eyes, nose, lips, jaw, cheeks, skin tone. Never beautify or slim the face.

A nostalgic 1980s travel-poster collage on soft cream printed paper with a faint alpine lake and chalet wash behind the panels. TOP PANEL, candid on a lakeside promenade, timber chalets and snow peaks far behind: a cream wool coat over a magenta roll-neck, a printed silk scarf knotted at the throat, high-waisted trousers; walking the promenade mid-laugh, one hand holding the scarf at her collarbone, fingers countable, the other swinging open. LOWER PANEL, candid at the open window of a red mountain tram: a teal quilted jacket over the roll-neck, gold hoops; leaning on the tram window frame mid-laugh, both forearms along the sill, hands open and countable. HAIR in both panels: big permed curls, wind-lifted and swept back off the forehead, the hairline exact. CANDID: neither panel posed - both catch a real moment mid-happening, eyes off camera-left in the top panel and to the lens in the lower, faces three-quarter or frontal with both eyes visible. Warm low light keys the face brightest in each panel with clear catchlights; the paper, film strip and postcard layers sit a step under the skin. Vertical 3:4.

COLLAGE: a designed 1980s travel poster - two candid panels on printed-paper texture with torn deckled edges, a film-strip border of sprocket holes down one side, a vintage postcard and luggage label carrying artwork only, a soft warm light leak across one corner, fine film scratches. SAME-PERSON LAW: exactly two faces, both the same woman from the reference and identical in each, never a lookalike; each face fully inside its own panel, neither overlapping the other. PICTURE QUALITY: strictly 1980s capture, NEVER HD - soft period-lens resolution, no digital sharpening, no clarity, no HDR, no pore-level micro-detail, analog grain throughout, faded warm tones, limited dynamic range. Each face is the sharpest thing in its own panel but 1980s-sharp, not digital-sharp: features exactly readable, edges soft. Grain, scratches, leak and paper texture never fall across a face.

One text only: Our First Trip handwritten in dark ink script on clear paper, spelled exactly O, u, r, space, F, i, r, s, t, space, T, r, i, p, clear of every face, touching nothing. No other lettering anywhere - postcard, label, stamps and postmarks all carry artwork or plain shapes only.

CHECK: every face must match the reference exactly.