Nostalgic 1980s Travel Collage

FACE MATCH FIRST: the exact two people in the attached photo - copy each face feature for feature, his facial hair as the reference, never swapping or averaging the two.

A nostalgic 1980s travel-poster collage on soft cream printed paper with a faint alpine lake and chalet wash behind the panels. TOP PANEL, candid on a lakeside promenade, timber chalets and snow peaks far behind: him in a navy blazer over a cream roll-neck with a camera on a strap well below the chin, her in a cream wool coat over a magenta roll-neck with a printed silk scarf at the throat; walking the promenade side by side mid-laugh, a hand's width of air between them, his hand steadying the camera and hers holding the scarf, fingers countable. LOWER PANEL, candid at the open window of a red mountain tram: him in a quilted jacket over the roll-neck, her in a teal quilted jacket with gold hoops; leaning side by side on the tram window frame mid-laugh, a hand's width of air between them, all four forearms along the sill, hands open and countable. HAIR in both panels: his full and curly, hers big permed curls, both wind-lifted but swept clear of the forehead, the hairline exact. CANDID: neither panel posed - both catch a real moment mid-happening, eyes off camera-left in the top panel and to the lens in the lower, faces three-quarter or frontal with both eyes visible. Warm low light keys the face brightest in each panel with clear catchlights; the paper, film strip and postcard layers sit a step under the skin. Vertical 3:4.

COLLAGE: a designed 1980s travel poster - two candid panels on printed-paper texture with torn deckled edges, a film-strip border of sprocket holes down one side, a vintage postcard and luggage label carrying artwork only, a soft warm light leak across one corner, fine film scratches. SAME-PEOPLE LAW: exactly four faces - the same two people twice, each matching its own reference face, never swapped or averaged; each pair fully inside its own panel, no face overlapping another. PICTURE QUALITY: strictly 1980s capture, NEVER HD - soft period-lens resolution, no digital sharpening, no clarity, no HDR, no pore-level micro-detail, analog grain throughout, faded warm tones, limited dynamic range. Each face is the sharpest thing in its own panel but 1980s-sharp, not digital-sharp: features exactly readable, edges soft. Grain, scratches, leak and paper texture never fall across a face.

One text only: Our First Trip handwritten in dark ink script on clear paper, spelled exactly O, u, r, space, F, i, r, s, t, space, T, r, i, p, clear of every face, touching nothing. No other lettering anywhere - postcard, label, stamps and postmarks all carry artwork or plain shapes only.

CHECK: all four faces must match their own reference exactly.